[insubordination] NET LABEL -*News*

le youth · 28-03-2008 23:46:14

[insub25]JOEL GRIP + CHRISTIAN MUNTHE + TATSUYA NAKATANI So It Goes (Live at Geiger)

Joel Grip: double bass, etc.
Christian Munthe: acoustic guitar
Tatsuya Nakatani: drums & percussion, etc.

liberté fois trois.
cordes et peaux
abordées sans retenues,
fracas et joies de se rencontrer.
freedom three times.
strings and skins
approached without reserves,
crash and joys of meeting.

Live recordings by Keith Talent at Club Geiger,
Brewhouse, Gothenburg, December 7, 2007.

+download+ the complet album (33 min 52 / 256Kbps mp3+cover / 44Mo)
INSUBORDINATIONS netlabel.

CC by.nc.nd

le youth · 28-05-2008 20:19:57

[insubcdr03/moremars06] DIATRIBES with DRAGOS TARA and PIERO SK l'instant d'après

"free jazz, free improvisation, two concerts, two trios, one idea, explose everythings"

Cyril Bondi: drums, percussions
d'incise: laptop, objects, live treatments
Dragos Tara: doublebass (on 1.3.5.7)
Piero SK: soprano saxophone (on 2.4.6)

1. entorse aux oublis
2. le givre
3. le mauvaise oeil
4. la démocratie reste un système bourgeois
5. montée aux enfer
6. migrations
7. les gosses

+download+ the complet album (58 min 39 / VBR mp3+cover / 114 Mo)
INSUBORDINATIONS netlabel.
MOREMARS cdr-label.

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le youth · 04-07-2008 19:43:01

[insub26] PHAT La Grande Peste

Fabien Duscombs: drums, percussions
Marc Perrenoud: bass & electric doublebass
Heddy Boubaker: alto & bass saxophones

PHAT est un "power trio" ÉNERGIQUE de Free-Jazz/Free-Rock/Noise totalement improvisé, actif depuis octobre 2006. Il réinvente et se réapproprie le mélange des genres avec un bonheur extrême pour les oreilles les plus curieuses et les plus friandes d'expériences sonores "hors-limites".
PHAT is an ENERGIC Free-Jazz/Free-Rock/Noise "power trio" founded in october 2006. It reinvents and re adapts the mixture of the styles with an extreme joy for the most curious and fondest ears of delicacies about "out-of-limits" sound experiments .

+download+ the complet album (35 min 14 / VBRKbps mp3+cover / 64.5Mo)
INSUBORDINATIONS netlabel.

CC by.nc.nd

le youth · 16-08-2008 23:54:41

[insub27]MAZUR & DYMNY Extension

Rafal Mazur: acoustic bass guitare
Michal Dymny: electric guitare

flots et vagues, déferlement de notes, extension du langage et navigation intérieure.
floods and waves, surge of notes, extension of the language and internal navigation.

+download+ the complet album (33 min 10 / VBRmp3+cover / 56Mo)
INSUBORDINATIONS netlabel.

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le youth · 13-10-2008 18:13:38

[insubcdr04] EVE RISSER & RAFAL MAZUR élan vital

Rafal Mazur: acoustic bass guitare
Eve Risser: Grand Piano

One more great collaboration to enjoy by our friend Rafal Mazur. 23 minutes of complexe mutant structures and magical interaction between bass and piano exploration.
Edited as 50 8''cdr with hand-made cover, but free to be downloaded as usual.

+download+ the complet album (22 min 56 / VBR mp3+cover / 49 Mo)
INSUBORDINATIONS netlabel.

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Marcel Chauvet · 24-11-2008 22:23:03

le youth a écrit :

[insubcdr04] EVE RISSER & RAFAL MAZUR élan vital
http://www.insubordinations.net/insub/i … cover2.jpg
Rafal Mazur: acoustic bass guitare
Eve Risser: Grand Piano
One more great collaboration to enjoy by our friend Rafal Mazur. 23 minutes of complexe mutant structures and magical interaction between bass and piano exploration.
Edited as 50 8''cdr with hand-made cover, but free to be downloaded as usual.
+download+ the complet album (22 min 56 / VBR mp3+cover / 49 Mo)
INSUBORDINATIONS netlabel.
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J'ai trouvé ça très bien à partir de 15' mais je dois dire qu'avant, je me suis bien ennuyé, on dirait de l'impro passe-partout telle qu'on pouvait en entendre jusqu'à il y a peu dans l'émission d'Anne Montaron sur France Musique . Mais la fin rachète carrément le tout et m'a vraiment botté !
:ok)

le youth · 13-12-2008 22:30:35

[insub28]GIANNI LENOCI & HOCUS_POCUS IMPROVISERS ORCHESTRA ephemeral#2

"freejazz & contemporary big ensemble"
25 musicians are exploring the today's improvised music wide range of territories.

+download+ the complet album (48 min 51 / VBRmp3+cover / 96Mo)
INSUBORDINATIONS netlabel.

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le youth · 31-01-2009 01:21:53

[insubcdr05] DIATRIBES+JACQUES DEMIERRE+JOHANN BOURQUENEZ piano(s)

"free improvisation / free jazz"
torsion & distorsion, cavalcade minérale, métal rouge révolte, résonances du corps prêt à rompre.
torsion & distortion, mineral cavalcade, revolt red metal, ready to break body resonances.

cyril bondi: drums, percussions
d'incise: laptop, objects
jacques demierre: grand piano
johann bourquenez: grand piano (on 1 & 5)

1. tornade
2. chants évadés
3. et puis partir
4. presque mourir
5. sous l'écorce

+download+ the complet album (31 min 46 / VBR mp3+cover / 69 Mo)
INSUBORDINATIONS netlabel.

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Dernière modification par le youth (31-01-2009 01:57:19)

le youth · 13-03-2009 23:45:36

[insubcdr06] MACHINEGUN Three Wisemen in a Straightjacket

"free jazz"
"Enjoy sugarless bloody-mess taste"

John Menoud: Alto & Baryton Saxophones
Frédéric Berney: Bass
Filippo Provenzale: Drums

+download+ the complet album (37 min 27 / VBR mp3+cover / 100Mo)
INSUBORDINATIONS netlabel.
MITENAND online cdr distro.

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le youth · 14-06-2009 17:15:42

[insubcdr07] HARGREAVES/NOYES/DUPLANT Malachi

"free jazz"
"a cadavre exquis"

phil hargreaves: sax
lee noyes: drums, percussions
bruno duplant: contrebasse

+download+ the complet album (50min 19 / VBR mp3+cover / 97Mo)
INSUBORDINATIONS netlabel.
MITENAND to order the cdr.

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le youth · 23-09-2009 20:28:39

[insubcdr08] ENSEMBLE RUE DU NORD live at st-gervais

:collective free improvisation:
the encounter between swiss and balkan improvisors, and between acoustic and electronic

Benoît Moreau: clarinet
Laurent Bruttin: bass clarinet
Jonas Kocher: accordion
Miran Zrimsek: cello
Dragos Tara: double bass
John Menoud: guitar, electronics
Svetlana Maras: piano
Robert Roza: no-input electronics
Lukatoyboy: toys, sampler, electronics
David Tabachnik: sound

+download+ the complet album (50min (44min 42 / 320kbps mp3+cover / 119Mo)
INSUBORDINATIONS netlabel.
MITENAND to order the cdr.

The Ensemble Rue du Nord's music is shimmering, noisy, subtle, nervous, free. Each musician is involved entirely in the sound, the concentration and the listening, thus taking part in collective construction of a new sound universe. The marriage between acoustic and electronic instruments offers a very rich pallet of timbres and gives to the ensemble its unique identity.
Far from the Bregovic like Balkan music stereotypes, the Ensemble Rue du Nord last project presents for the first time in Switzerland some of the most active and promising musicians of the Balkans emerging experimental scene. Since 2007, the ERN intensively collaborated with these musicians, doing concerts in Mostar, Sarajevo, Belgrade, Sofia, Skopje and Pristina within the framework of the "Swiss-Balkan Creative Music" project.
The aim of the Swiss-Balkan Creative Music Project is to developp new links between swiss and balkan musicians in the field of contemporary improvised music.The working sessions will give the musicians the possibility to explore new and fresh practices in electro-acoustic improvised music. The music is made of sonic architectures, colours and textures and moves between pure sound and abstract noise complexity.
The project is realised in 3 phases : April 2007, November 2007 and spring 2008. For the first and second phase, the Ensemble Rue du Nord is travelling and meeting different local musicians. The third phase will permit to have several concerts in different cities and mix the balkan musicians in the spirit of the « Company Weeks » by Derek Bailey.

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le youth · 11-01-2010 21:00:29

[insubcdr09] KARST Samuel D

:freak poetry & free improv:
texte tiré de, "Ecrits Bruts", textes choisis et présentés par Michel Thevoz, Collections Perspectives critiques, 1979, Presses universitaires de France

abstral compost:
voix
d'incise / luc mueller / cyril bondi:
étendages à linge, objets, percussions, etc

+download+ the complet album (31min 23 / 320kbps mp3+cover / 75Mo)
INSUBORDINATIONS netlabel.
MITENAND to order the cdr.

KARST est un quartet d'improvisation libre et de poésie (sonore) entremêlant objets et instruments, créant une architecture de percussions, grincements, frottements, pulsions irréelles, mathématique instinctive du son et de sa ré-organisation constante.
KARST est un paysage au relief sculpté par la corrosion, aceré, scabreux, rongé de cavités souterraines ou mille chemins s'offrent à l'ouïe aventeureuse.
KARST is a free improvisation and (sound) poerty quartet; intermingling objects and instruments, creating an architecture of percussions, squeaks, frictions, unreal impulses, instinctive mathematic sounds in constant reorganization.
KARST is a landscape; carved by corrosion, with sharp, underground cavities where thousands of roads offer themselves to the adventurous listener.

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dj3c1t · 11-01-2010 21:01:59

waouuu !
flippant à souhait, celui-là

Alphonse · 11-01-2010 21:29:18

J'aime bien.
on dirait un peu du Expérience.
Le son est étrange mais bon.
Le lecteur/diseur aussi.
Entre musique et théâtre :
Ça se tient !

le youth · 23-06-2010 19:11:17

:roll:

[insub35] Rafal Mazur & Keir Neuringer improwizje

:freejazz/improv:
saxophone and acoustic bass guiatre, an explosive/hyper energic demonstration of the "Free Improvisation as Value"
http://keirneuringer.blogspot.com/2006_ … chive.html

Keir Neuringer: alto saxophone
Rafal Mazur: acoustic bass guitar

+download+ the complet album (18min35 / 320kbps mp3+cover / 46Mo)
INSUBORDINATIONS netlabel.

Rafal Mazur's involvement with music began in his youth with violoncello studies in Krakow. He switched to bass guitar in the late 1980's. Since 2000 he has played an acoustic bass guitar built to his own specifications by luthier Jerzy Wysocki. He has developed an advanced and individual approach to his instrument, and to improvisation in general, in which sonority, extended technique and gesture combine effortlessly in performance. He has taken an important role in Kraków to support young artists and improvised music. A founder of the ImproArt studio of improvisation, he has performed jazz and improvised music in clubs and festivals across Poland and Europe, and in China, South Korea and Israel. In recent years he has collaborated with Lisa Ullen, Frederic Blondy, Charlotta Hug, Raymond Strid, Keir Neuringer, Zsolt Sores and Attila Dóra and others. His current focus is the trio Ensemble 56. He is an organizer of the Laboratory of Intuition, a series of spontaneous art presentations in Kraków. Mazur's main field of interest and activity is collective and solo free/spontaneous improvisation. In his practice as an improvising musician and on his way to mastery/artistry he studys Chinese philosophy (Jagiellonian University). He regards Taoism as a strong base for the enrichment of the improviser's attitude, and to this end he practices the Taoist's martial art TaiJi Quan Chen. For Mazur, following the masters of Chinese philosophy and martial arts is crucial in the development of a state of mind prepared for the unexpected situations an improviser encounters in the act of collective free improvisation.
Keir Neuringer has cultivated a personal and intensely physical approach to solo saxophone improvisation that honors, builds upon, and eschews diverse music-making traditions. Vehemently critical of the destructive behavior of industrial civilization, in his work (as a composer, performer, bandleader, writer, interdisciplinary artist and curator) he seeks to bring audiences into a state of emotional and intellectual curiosity that meets the conditions for meaningful dialogue with and transformation of the culture at large. He has collaborated with Rafal Mazur since 1999 and works with a wide and undefined network of inspiring musicians, including turntablist DJ Sniff and the contemporary music group Ensemble Klang.

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le youth · 19-09-2010 14:14:01

[insubcd01] KARST toujours trainer des formes étranges

abstral compost: voix
d'incise / luc mueller / cyril bondi: objets, percussions, etc

Après presque cinq ans d'existence, le netlabel Insubordinations lance une nouvelle série, au format cd.
Et c'est le quartet KARST qui l'inaugure avec neuf morceaux ou toute une panoplie d'objets et de percussions soutient, enrobe ou voir met à mal voix et textes pour une alliage unique de poésie sonore, de lecture/écriture automatique/aléatoire, d'improvisation libre et masse (électro)acoustique.
After almost five years of existance, the Insubordinations netlabel starts a new serie, in cd format.
And it is KARST that inaugurates it with nine tracks where whole objetcs and percussions panoply supports, coats or even put in trouble voice and texts into an unique alloy of sound poetry, automatic/random reading/writing, free improvisation and (electro)acoustique mass.

+download+ the complet album (63min 27 / 320kbps mp3 / 148Mo)
INSUBORDINATIONS netlabel.
MITENAND to order the cd.

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le youth · 21-10-2010 16:10:07

[insubcdr10] DIATRIBES & PHONOTOPY partielle d'averse

:free/EA/improv:
a single long cloud of EA sounds, percussions and objects in magnetic relations.

cyril bondi: drums, percussions
d'incise: laptop, objects
phonotopy: tennis cythar, electric racket

+download+ the complet album (23min35 / 320kbps mp3+cover / 60Mo)
Edited as 100 mini-cdrs in hand-made digisleeve.
INSUBORDINATIONS netlabel.

DIATRIBES:
Diatribes, a strongly libertarian ensemble, began its existence in a Geneva basement in Winter 2004. Adapting the improvised and experimental music languages of today, the duo is highly reactive, dynamic, percussive and/or textured. Initialy a trio, diatribes became a polymorphous formation, accuratly incomplete, extending each time its spectrum with guest musicians, from freejazz to electroacoustic improv, from loud sound wall to intimistic acoustic details, crossing the road of Barry Guy, Keith Rowe, Jason Kahn, Jacques Demierre, Christian Weber, Ernesto Rodriguez, Tomas Korber, Jean Bordé, Mick Beck, etc, travelling through europe to create new entities, with Adbul Moimême in Portugal, Hannah Marshall in England, Rafal Mazur in Poland or HKM+ in Germany.
PHONOTOPY:
Phonotopy aka Yann Leguay: both improbable sonic experimentations and self-cons-production label offers a conceptual approach to recording media. Diversion of items, conceptual feedback, tautology, nonsense, concretion and contradiction are the main acoustic ingredients.

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le youth · 07-12-2010 23:56:42

[insubcd02] DIATRIBES & ABDUL MOIMEME complaintes de marée basse

:EA/free/improv:
After the trio with Phonotopy, but recorded a couple of month earlier, Diatribes proposes with Abdul Moimême a new electroacoustique oriented album, where the instrumentation distinction is lost to the benefit of a sounds ensemble strongly linked by skeazing ropes and under permanent tension. Some metalico-organics improvisations develloping under harbour influence, superpostion of poetic evocations like an high-tech nostalgia.

abdul moimême: two prepared guitars, metalic objects, springs, cymbals, metronome
d'incise: laptop, objects, various instruments, snare drums, bow, cymbals, gramophone
cyril bondi: drums, percussions, bow, cymbals, objects, small instruments

+download+ the complet album ((47min08 / 320kbps mp3 / 124Mo))
Edited as 500cd, 18x14cm print in thin sleeve. [15chf/~10euros/~14usd, worldwide shipping]
INSUBORDINATIONS netlabel.

Diatribes is the Geneva-based duo of d’incise, who plays laptop, objects, and percussion, and Cyril Bondi, playing drums and percussion. First coming together in 2004, the duo’s subtle distinguishing mark develops out of Bondi’s relationship to free jazz and d’incise’s relationship to ambient electronica and free improvisation. As environmentally diffused as the sounds may become, Bondi is often knitting at pulse, creating polyrhythms and a momentum that animates the whole, keeping it moving while d’incise pulls sounds from the ether or the street. The spontaneous character of the music is insistently maintained by working constantly with other players, as if Diatribes is only complete when it’s Bondi, d’incise and someone else, as if Diatribes is a principle that always includes the other. The duo has recently released three works, each with a third musician; as different as the guests are, Diatribes manages to create a distinct identity.
Multitude, with bassist Barry Guy, is inevitably influenced by Guy’s own spectacular virtuosity, but it’s also fascinating listening to hear Guy working so intently with improvisers whose fundamental approaches are generally less linear than his own. There is a very close rhythmic connection between Guy and Bondi, evident in the percussive mix of rapid pizzicato bass and drums on “le poids des humeurs.” D’incise’s sounds arise amongst the other two and it is frequently difficult here to demarcate the three. When Guy plays arco, as on “corrosion du possible,” this blurring of identity is even more pronounced, the bassist creating a forest of harmonics and scrapes, sputtering rhythmic figures and sudden movements between registers that seem to spring from and include all the sounds around him (including here the added clarinet of Benoît Moreau). Diatribes, for their part, build up broken fields of percussion and electronic sound, sounding as if their instruments are literally intertwined in the strings of Guy’s bass. Together the three create a world of micro-rhythms and intervals, new patterns interspersing themselves in gaps in time and register.
On Complaintes de Marée Basse with the Lisbon-based guitarist Abdul Moimême, the three musicians seem to be much more aligned in their approach. Moimême plays two prepared table-top guitars, metal objects and small instruments, and both he and d’incise have cymbals in their list of instruments. The playful sound sources extend to Moimême playing metronome and d’incise gramophone. At times the sound is almost industrial—the scraping of metal, the sound of large objects falling—at others it has the most remarkable delicacy, fragile glissandi and barely audible string scrapings. Identity and perspective are constantly changing here. Little noises arise and are gradually subsumed into louder ones or else disappear like unknown but evidently endangered insects in a distant ecosystem. A snare drum rhythm beats against the scratch of a gramophone needle on an exit groove. The sounds are at times so intimate you feel that you are ear-next to a bowed cymbal or a mallet-struck string; at other times the sonic vocabulary of random echoing metal suggests a freight yard, industrial noise in which sound is only a side effect of another process. It is this shifting perspective, this fluctuating succession of different scales—from closet to airplane hangar—that makes this the remarkable dreamscape that it is.
The third Diatribes performance, Partielle d’averse (available as a limited edition mini-CD with a hand-made cover or as a download), was made with Phonotopy, also known as Yann Leguay who’s playing tennis cythar and electric racket. Just over 23-minutes long, it’s a beautifully sustained single piece, Leguay’s transformed sports equipment a perfect complement to Bondi and d’incise. The work is the kind of transforming soundscape that one associates with AMM, a gradual loss and development of identity through audition.
Invisibility, anonymity, and pseudonymity are clearly important here (another Diatribes performance with HKM+ and other German musicians was “recorded in an abandoned building in Leipzig”), for this is music shaped by the acuity of consciousness and the porous frontier of identity, whether of the sound, the instrument or the maker. Watching this music being made might diminish its sonic appeal; living here only in the ear, it elaborates on mysteries of identity which are matters of both cognition and psychology. It’s fitting that some of the works themselves inhabit an area both grey and plural, as limited edition works of art or downloads.
Stuart Broomer / http://www.pointofdeparture.org/PoD32/P … ents4.html

le youth · 29-03-2011 01:42:40

le youth a écrit :

[insub37] Sébastien Bouhana - Tambour, pas tant
:bass drum solo:
long ressonante pieces where metal objects are amplified by the drum skins, heavy sounds moving straight forward.

Sébastien Bouhana: horizontal bass drum, etc
+download+ the complet album (58min44 / 320kbps mp3+cover / 141Mo)
INSUBORDINATIONS netlabel.
Sébastien commence la batterie tardivement et sans formation musicale. Il suit les cours de Dominique Marseille à l'école Dante Agostini de Bordeaux pendant cinq ans. Il fait vite parti d'un collectif bordelais de musique noise et alternative (Mandala) avec lequel il se forme à la scène dans les années 90. Des groupes tels que Sonic Youth, Bastard ou Sister Iodine l'invite à se plonger dans des formes transcendantales de la musique. Mais c'est à Toulouse qu'il se frotte réellement à l'improvisation (Emmanuel Petit, Marc Demereau, Fabrice Charles et à l'école des musiques vivantes "Musique'Halle...), qui fut une véritable révélation. Dans les années 2000, il fait des rencontres au sein de la scène improvisée parisienne qui le mènent à travailler dans plusieurs formations de musique improvisée libre. Entre autres, Frédéric Blondy, Pascal Battus, Christine et Sharif Sehnaoui, Agnès Palier, Stephan Rives, Jean Bordé, Jack Wright.
En 2007, il s'installe à Crest (Drôme) et rencontre le Grand Chahut Collectif avec qui il se trouve des affinités évidentes. En 2008, il fait son premier solo (sur grosse caisse) lors du festival "Petits chahuts itinérants" et forme trois trios de musique improvisée : Tu tapes trop fort, Asile Mabuse et Nicht Rio. Il travaille comme musicien et comédien pour la compagnie "36 du Mois/Cirque 360" depuis 2002.
Sébastien lately begins drums and school courses at the Dante Agostini School, in Bordeaux (France). The alternative world in which he moves brings him to the noise music band Madala, with whom he’s formed and trained to the stage in the 90’s. Bands such as Sonic Youth, Bastärd or Sister Iodine influence him and push him to immerse himself in transcendental forms of the music. He discovers free improvisation, at Music’Halle, the modern music school of Toulouse, alongside Emmanuel Petit, Marc Demereau and Fabrice Charles. In the 2000’s, he lives in Paris. His meetings on a few stages in Paris lead him to work with several free improvisation bands such as Frédéric Blondy, Pascal Battus, Christine et Sharif Sehnaoui, Agnès Palier, Stephan Rives, Jean Bordé, Jack Wright…
In 2007, he moves to Crest, Drôme. He meets the Grand Chahut Collectif with whom he has obvious affinities. In 2008, he performs his first bass drum solo, in the Petits Chahuts Itinérants Festival, and sets up three free music trios : Tu Tapes Trop Fort, Asile Mabuse and Nicht Rio. He also works as a musician and an actor for the 36 Du Mois Compagny since 2002.
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le youth · 03-05-2011 20:50:00

jonas kocher: accordion, objects

Recorder october 23rd 2010 at 'zoom in' Festival Bern
Recorded, mixed and mastered by Fabio Oehrli, Tonlabor.

Edited as 300 cds, screenprinted, 18x14cm.

free download & cd order,
http://www.insubordinations.net/releasescd03.html

Whereas his earlier solo record, "materials", was the result of a research work in studio, "solo" shows how Jonas Kocher brillantly uses his accordion in concert. His music caries in itself huge contrasts, between reserve and explosion, as if this dualitly was engraved in the back and forth bellows's mouvement. Alternations of low and high frequencies, slappings and breaths build a perfectly controlled form inside the improvised frame.

le youth · 20-06-2011 15:36:31

[insub38] Nicht Rio Title turtle

Lionel Malric: prepared piano
Yannis Frier: table guitar, amplified objects
Sébastien Bouhana: drums, percussions

+download+ the complet album (29min48 / 320kbps mp3+cover / 73Mo)
+download+ the complet album (29min48 / FLAC+cover / 157Mo)
INSUBORDINATIONS netlabel.

Une plongée dans la matière sonore, dense, foisonnante, vindicative et envoutante. Ces 3 improvisateurs du Grand Chahut Collectif mettent l'accent sur un discours évolutif tendant vers l'exploration des possibilités timbrales de leur instrument par l'utilisation de préparations, de techniques étendues et d'approches empruntées aux musiques concrètes et électroacoustiques. La musique se meut, ondule, crisse, les images jaillissent.
Lors d'une première tournée en mai 2010, Nicht Rio s'est aventuré dans le sud de la France avec entre autre un piano demi-queue plus que centenaire. De Marseille à Toulouse, les rencontres musicales se multiplient, auprès de Sébastien Cirotteau, Emmanuel Cremer, Charles Fichaux, Bastien Pelenc, Heddy Boubaker, Olivier Germain-Noureux et Laurent Rochelle. La première escale fut dans la chapelle Notre-Dame du village de Fabrezan, dans le cadre du festival Son MiRé. C'est la captation de ce concert en trio que vous pouvez entendre ici. Il y avait du vent dans la plaine ce jour là.

A journey through sound: dense, teeming, vindictive and bewitching. These 3 improvisers from the Grand Chahut Collectif like to emphasize the constant evolution of their music by not only using wide-ranging techniques inspired by concrete as well as electro-acoustic music, but also by customizing their instruments and exploring their timbres. Their music moves around, undulates, squeals and makes images spring forth.
During their first tour in May 2010, the 3 members of Nicht Rio travelled in the South of France with a hundred-year-old baby grand piano. From Marseille to Toulouse, they shared the stage with artists such as Sébastien Cirotteau, Emmanuel Cremer, Charles Fichaux, Bastien Pelenc, Heddy Boubaker, Olivier Germain-Noureux and Laurent Rochelle. Their first concert as a trio was played in the Notre-Dame Chapel in the tiny village of Fabrezan during the "Son MiRé" festival. Here is the recording of this concert. As you will no doubt notice, a strong wind was blowing in the plain that day.

DOOR KNOCKED EYE Quelquechose bruisse à la porte, des cloches peut-être ? Ils s’y prennent à trois, Nicht Rio, pour simuler la foule qui sourd au dehors. Quelquechose quincaille à la porte et s’installe. Chuinte. Combien sont-ils en vrai, ces bruits qu’ils font ? Musique au présent, récurrences, tournoiements, éclairs, notes, grondements. Une poésie s’installe, et des images surgissent. Que se passe-t-il derrière la porte ? Qui sont ces voisins qui bruissent ? Ils font l’étrange et le familier tout à la fois, ils opèrent à la pincette presque chirurgicale. Clinique. Quelqu’un marche derrière la porte, s’éloigne puis revient, trébuche, presque trottine à contre-temps. Nicht Rio se loge en-deçà du dicible et du visible. Derrière la porte vous devinez le piano préparé, la guitare et des objets, la batterie permutée. Il y a comme des voix qui viennent, et de l’eau. Vous n’imaginiez pas qu’une telle rumeur soit possible en votre for intérieur. Nicht Rio vous concerne, par le trou de la serrure.
Bruno Allaigre

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le youth · 14-12-2011 16:31:50

[insubrwk02] V.A. Marées de hauteurs diverses

01. Blindhæð - Un fracas d'asthme, de gravier et de ferraille suintante pour Jacques Sternberg
02. Nicolas Bernier - cructacés (remix)
03. Honoré Feraille - the tide is gone on its own
04. Ludger Hennig - retro forensic version
05. Mokuhen - poisson silence, Oki
06. Francisco López - untitled#279
07. Herzog - naufrage (remix)

All tracks based on their corresponding ones from [insubcd02] Complaintes de marée basse by Diatribes & Abdul Moimême.

Insubordinations netlabel
http://www.insubordinations.net/releasesrwk02.html
in collaboration with Tsuku Tsuku Grammofon
http://tsukuboshi.wordpress.com/2011/12 … -diverses/

free mp3 & flac + limited cdr edition

Au final nous avons entre les mains un voyage au sein de la musique électroacoustique, colorée par l'énergie acoustique et improvisée de "complainte de marée basse". Il est plutôt curieux d'entendre comment chaque musicien a utilisé le matériau original avec des considérations extrêmement différentes, selon sa propre pratique. Certains s'en sont servit comme du "field recording", d'autres l'ont aborder avec des techniques de remix plus usuelles, façon "dub", d'autres encore ont totalement intégré les sons dans leur monde sans aucune tentative d'y laisser transparaître la source. Et rien de cela ne semble faux, mais dans chaque cas établit un dialogue entre retravaillés et orignaux, mettant à jour chaque fois un autre regard sur le rôle et la valeur du "son enregistré".

theesound · 14-12-2011 19:51:57

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